The 12th
Century Church
Of
St. Michael and All
Angels
Knights Enham
11th Century
In the 11th century, a village known as
Eanham lay to the south-west of the present church. “Eanham” is
probably derived from the word “yean”, which is an ancient word for
“lambing”. So Eanham was a place where lambs were bred, as indeed
it still is today. Alternatively, the nearby springs may be the origin, as
“eans” was the old Celtic word for “spring”. The
Doomsday Book recorded the village as Etham.
It is believed that there was an earlier church on
the same site before this church was built. There is no physical evidence of
this, but it is recorded that in 1008 a very important meeting took place at
Eanham when Alphege, the Archbishop of Canterbury, held a great Council which
legislated for sundry Church matters ad the affairs of the nation. No meeting
of this size would have been held in those days except in close proximity to a
church, so it is assumed that a Saxon church, probably made of wood, wattle and
daub, and roofed with thatch, must have pre-dated the present one, to serve the

St. Michael and All
Angels Church - Today
The church you see today was built in Norman and
Early English styles, at some time in the 11th century. A stone head
on the outside north wall of the Vestry probably dates from this time. It is
made of Binstead stone, and may have been part of a rood (A screen dividing the
Chancel and nave in the Church).
12th Century
In the Pipe Rolls ad Fees of the 12th and
13th centuries, the name of the village became Enham.

The Font
The font dates from this century, so must be the
original one from the time the church was built. The walls of the Nave are also
probably the original walls. The north window of the 19th century
vestry incorporates some 12th century masonry.
13th Century
The church is first mentioned in the history of
Hampshire in 1241. The first known Rector was recorded in 1241 as being John,
the Parson. We know this because it is recorded that John the Parson owed money
to the Prior of Andover!
The lancet window over the 19th century
door in the chancel, and the north-east window in the nave date from this time,
as does the doorway into what is now the Vestry. This was the main door into the
church in those days, and opened straight into the churchyard. In the jambs of
this doorway are the holes in which would have been placed a wooden draw-bar to
secure the church from inside, possibly by Knights sheltering in the church on
their way to or from the Crusades. Tiny traces of medieval paint are still
visible around the doorway.
In about 1292 the advowson (the right to appoint a
Rector) belonged to the infant son of Roger de Calstone, who was also named
Roger de Calstone. It is thought that the South Aisle was built at some time
during this century.
14th Century
In about 1316 Enham became Enham Militis, or
Soldier’s Enham (there being no word for “knight” in Latin)
and later took on its present name of Knight’s Enham when the manor was
in possession of the Knights of St. John of Jerusalem, or the Knights Templar.
In 1335 Roger de Calstone gave up the advowson to the
Lord of the Manor, John de Handle who, in 1341, was intending to license it to
the Dean and Chapter of Salisbury, but Queen Philippa, wife of Edward III,
intervened on behalf of her new foundation at
15th and 16th
Centuries
Nothing is known about the church during these two
centuries, so one can assume nothing untoward occurred and that the church
continued to serve the village in relative tranquillity excepting that like all
churches there was change through the Reformation. Walls whitewashed, services
changed from Latin (Catholic) to English (Protestant) and statues above the
chancel screen removed.
17th Century
During this century considerable building and
demolishing seem to have taken place. The plain wooden screen separating the
Chancel from the Nave was built. The South Aisle, erected in the 13th
century, was demolished, for what reason we do not know. In its place the south
porch was erected, and the middle window on the south wall of the Nave was
probably installed at this time, as the stone surrounding the window is
contemporary with that around the south door. The charming wooden framed
windows must also have been fitted.

Plain Wooden Screen South Porch
A silver Chalice of 1649 was presented to the church
by David Kingsmill in 1654, and a companion silver Pate was presented by the
then Rector, Thomas Brathwayte, in 1655, during the Cromwellian period. It has
no London Assayer’s mark – too dangerous to send it. These pieces
are now on display in Winchester Cathedral Treasury.
18th Century
The old Parish Register of Births, Marriages ad
Burials was started in 1763 and completed in 1812.

Site of Gallery
There are records of a west Gallery being in use in
1770 and again in 1788. There is a horizontal unevenness in the plaster of the
west wall of the church, which shows where the floor of this gallery stood, and
on either side of the font can be seen the square holes which held the posts
that supported it. It is not known for how log this gallery was in existence,
or why it was erected. Perhaps the church needed more space and was regretting
pulling down the South Aisle? We still have a bible, given by the Revd. Levy
for use I the Gallery – dated 1857.
The pulpit, reading desk and nine pews were gifts in
1788. Two of these pews (referred to in those days as “Perches”)
are still in the Chancel. The front chandelier was given by David Dewar. His
and other family memorials are on the south wall with hatchment boards, used on
the horse drawn hearse. The mottos mean Peace in heaven and where there’s
life there’s hope.
The Holy Table also dates from this century –
made of wood as ideas about the Holy Communion changed from sacrifice to
remembrance.
19th Century
More alterations to the fabric of the church were
made during this century. The stained glass of the East Window was presumably
chosen from a catalogue of the firm of Alexander Gibbs of

East Window
It is thought that the wooden bell tower, with its
shingled sides and pyramid roof, was built in this century to house the bell,
which bears the inscription “Thomas Mears 1837”.

Wooden
The door in the Chancel was put in for the
rector’s use, and supporting buttresses were built at the outside angles
of the building.
The original font was found outside, badly smashed.
It was put together and erected outside the south door. Later it was brought
inside. A new font made in
imitation of the old 12th century one was presented by the Rev.
Fisher Audland, Rector 1848-50.
In 1864 a wall was built between the Churchyard and
the Rectory to replace wooden palings. A flagon was added to the Communion
Plate in 1872 (now at
In 1871 this and four other livings in the diocese of
20th
Century
The original 12th century font was brought
back into use and the imitation one put into store. The wooden font cover was
presented by the children of Mrs. Vera Gordon in her memory.
The heating in the church was donated by Mr. C.S.
Hunt (Farmer of Manor Farm).
The wall between the churchyard and the now Old
Rectory was repaired in 1961.
In the 1970’s the Parish of Knight’s
Enham was extended south to the railway line when the new

Church Yard Celtic
Cross
The Celtic cross on the War Memorial is a reminder
that Christ has been worshipped here from time immemorial, and will continue to
be worshipped for as long as this building stands. A millennium time capsule
has been deposited in the church for future generations.
We hope you have found this of interest, and would
welcome your visit to this beautiful and ancient church.
(Photographs kindly taken and
supplied by Mr. Michael Hess)